Humor, discomfort and social criticism are the connecting themes in the works of Monika Dahlberg, Joyce Overheul and Sietske Zandbergen. Although they use different art forms-such as textiles, sculpture and collage-these three artists have a keen eye for the everyday and absurd. They draw on recognizable images from popular culture and street objects to explore complex themes, with humor often serving as a powerful tool.

The three artists each give a special twist to everyday objects and familiar figures. Monika Dahlberg draws inspiration from thrift store finds and incorporates them into her art. Joyce Overheul collects donated buttons which she incorporates into large, imposing tapestries. Sietske Zandbergen bases her work on images from the street scene, such as the iconic Jan Patat, which she distorts with an absurdist twist.

At first glance, their work seems playful and recognizable, but a deeper social-critical narrative soon surfaces. Monika Dahlberg, for example, incorporates Mickey Mouse ears into her art, a critical reference to the “Disneyfication” of our consumer society. At the same time, these ears also evoke a traditional African hairstyle, pointing to how African art is being recolonized and commodified by Western culture

Joyce Overheul is known for her craft techniques such as embroidery, basting and buttons. These techniques are traditionally considered “women’s hobbies”. Overheul combines them with politically charged topics such as sexism, migration policy, polarization and human behavior in general. Her work chafes, inviting reflection and discussion. The cute, kitschy appearance of the works clashes with the strong message they convey.

Sietske Zandbergen creates alienating sculptures that invite the viewer to look at the world around them with new eyes. Her colorful sculptures appear innocent at first glance, but a longer look creates a sense of discomfort and repulsion. She emphasizes the absurdity of contemporary visual culture while also seeking beauty and humor in its kitschy elements.

Together, they create a layered exhibition that is both lighthearted and profound, humorous and uncomfortable at the same time. It is an exhibition that explores the boundaries of the familiar and invites the viewer to reflect on the images that infiltrate our culture.