Amsterdam-based Marjolijn de Wit’s ceramic photographic collage, installation, and painting explores ideas of future archeology, the interpretation of history, and our relationship with nature and the built environment. Her installations use unclassified ceramic pieces resembling artifacts, while her collages utilize found images in combination with raw, glazed, or photo-printed ceramics, and act as inspiration for her paintings.

Her naturalistic paintings of the small ceramic collages cause the viewer to question what is real, what is photo printed on ceramic, or a painting of a photo, and what is ceramic, or a painting of ceramic.